------------------ Filmmaker George Ngugi King¹ara¹s documentary Gari Letu Manyanga (Our Hip Bus, 2007) is now ready for sale to university archives or other libraries wishing to stock content relating to urban African culture. The film can be used in African Cultural Studies per se or other related disciplines. Short synopsis of film A film about the MATATU- informal public transport system in Kenya. We follow the crew of a hip-hoppy mini-bus called DRAMA as it works one of the busiest commuter routes in Nairobi and gets arrested by the Buru Buru police over an overdue warrant-of-arrest. The bus is detained and the crew sidelined in wait till its elusive owner is found. Shot with no budget by a crew of three, the film is a sort of ethnographic exploration of the nature of the Kenyan informal public transport system, but also a commentary on the youth culture associated with it. Contact filmmaker through: ngugik2001@yahoo.com |
Thursday, October 25, 2012
Ethnographic documentary on Matatu (public transport system in Kenya) for sale to libraries
Tuesday, September 18, 2012
FESPACO - PAN AFRICAN FILM FESTIVAL 2013
http://www.fespaco-bf.net/index.php?option=com_rokdownloads&view=file&Itemid=55&id=98%3Acondition-for-film-entry-and-selection&lang=en
PREAMBLE
- Considering the contribution of FESPACO to the development of African
Cinema as a platform for promoting African culture;
- Considering the need to promote and disseminate African cinematographic
works worldwide;
- Considering the need to contribute to the safeguard of Africa cinematographic
heritage;
The Management of the Pan-African Film &TV Festival of Ouagadougou
(FESPACO),
- Bearing in mind the above stated objectives;
- Concerned with safeguarding the Festival’s identity and editorial line;
- Convinced of the need to adapt the festival’s regulations to technological
developments in the film and audio-visual industry;
Reviewed the festival’s regulations on:
- The Entry and Selection of Films;
- The Official Juries;
- The African International Film and TV Market;
- The Special Prizes;
CONDITIONS FOR FILM ENTRY AND SELECTION
I- ENTRY OF FILMS
The entry of films for the Pan-African Film & TV Festival of Ouagadougou
(FESPACO) is open to all films worldwide. Applicants are allowed to enter three (03)
films at the most. Entry may be made by the director or producer.
Entry of films by African Cinema Schools shall be made by the Management of such
schools.
To be considered in the official selection, the film shall not be aged more than two
(02) years as of 31 December of the year preceding the edition,nor have been
entered into a previous FESPACO edition.
Entering a film requires the sending of the following documents and materials to
FESPACO Headquarters no later than 31 October of the year preceding the
edition:
An Entry Form, available from FESPACO Web Site (www.fespaco.bf), duly
completed, dated and signed;
A technical and artistic sheet;
A note of intent;
A synopsis in French and in English;
A bio-data of the filmmaker;
Two (02) posters of the film;
Two (02) DVD copies for fictional or documentary films;
Two (02) DVD copies of the first three episodes for serials;
Two (02) colour passport size photographs of the director;
Three (03) photographs of the film;
The above materials shall be sent via electronic mail to: dgfespaco@gmail.com
DVD copies shall be sent via express mail to FESPACO Headquarters no later than
31 October of the year preceding the editionto the following address:
FESPACO
Selection film
01 BP 2505 - Ouagadougou 01 - Burkina Faso
Tel: (226) 50 30 83 70 / 71
NB: Information on director or producer’s electronic and postal address must
be printed in capital letters.
II- SUB-TITLING
The film shall be in French or in English to be accepted.
Any film in English must be sub-titled in French, and vice-versa.
Any films in a language other than French or English must be sub-titled or dubbed in
French or in English.
III- SELECTION
The Management of FESPACO shall be responsible for the official selection of films,
and make decision on the section in which the film may be entered:
- Sections of the official competition include: Fictional feature films; Fictional
short films; Documentary films; Diaspora films; TV serials; Fictional
digital video films; and Films from African Cinema Schools.
The official competition is limited to African and Diaspora films.
- Out-of-competition sections include: Discoveries; Retrospective; Focus;
Africa from the perspective of; Panorama; Tribute; and Special screening
sessions. Such sections are open to feature and short, documentary and
fictional films by any filmmaker.
The Management of FESPACO is sovereign and reserves the right to justify or not its
decisions.
Any film short-listed for the official competition cannot be withdrawn in the course of
the Festival.
Director or producer shall be informed via official mail and in a timely manner in the
event a film is selected.
III.1- FORMAT
Regardless of shooting formats, only the following shall be accepted:
For the official selection:
Two (02) DVD copies of the fictional or documentary film;
Two (02) DVD copies of the first three episodes for serials.
For screening prints:
- A 35 mm print for fictional feature filmsin the official selection;
- A 35 mm print or Dvcam/Pal and a DVD/Pal copy for fictional short films in the
official selection;
- A Dvcam/Pal and DVD/Pal copy for the other sections of the official selection.
Screening prints or copies shall be sent to FESPACO no later than31 January of
the edition’s year.
Prints or copies of any films sent to FESPACO after the above deadline will be
withdrawn from the official selection.
III.2- SENDING OF PRINTS
Sending of film prints shall be at sender’s care.
III.3- RETURN OF PRINTS
Return of 35 mm prints, Dvcam/Pal and DVD/Pal copies shall be at the care of
FESPACO and to the address provided by the sender.
FESPACO will not assume responsibility for errors in shipment or damages resulting
from the sending of prints.
Furthermore, FESPACO shall not be liable for damages resulting from the initial poor
condition of such prints.
Any film accepted for the official selection of FESPACO may be subject to three (03)
public screenings at the most.
However, FESPACO reserves the right, as part of the promotion of the films selected,
to publically screen such films twice (02) at the most after the Festival.
III.4- LENGTH OF FILMS
Depending on the categories, the length of competing films shall be:
- Fictional feature films: the minimum length required is 60 mn;
- Fictional short films: the length required shall range from 1 mn at least to 35
mn maximum;
- Documentary films: the minimum length required is 26 mn;
- Diaspora films: the minimum length required is 60 mn;
- Fictional digital video films: the minimum length is 60 mn;
- TV serials: three episodes of 13 to 26 mn each;
- African Cinema School films: the length required shall range between 3 mn at
least to 15 mn maximum.
NB: Entering a film into FESPACO implies the adherence to the selection
conditions and regulations herein.
ENTER REGULATIONS
http://www.fespaco-bf.net/index.php?option=com_rokdownloads&view=file&Itemid=55&id=98%3Acondition-for-film-entry-and-selection&lang=en
PREAMBLE
- Considering the contribution of FESPACO to the development of African
Cinema as a platform for promoting African culture;
- Considering the need to promote and disseminate African cinematographic
works worldwide;
- Considering the need to contribute to the safeguard of Africa cinematographic
heritage;
The Management of the Pan-African Film &TV Festival of Ouagadougou
(FESPACO),
- Bearing in mind the above stated objectives;
- Concerned with safeguarding the Festival’s identity and editorial line;
- Convinced of the need to adapt the festival’s regulations to technological
developments in the film and audio-visual industry;
Reviewed the festival’s regulations on:
- The Entry and Selection of Films;
- The Official Juries;
- The African International Film and TV Market;
- The Special Prizes;
CONDITIONS FOR FILM ENTRY AND SELECTION
I- ENTRY OF FILMS
The entry of films for the Pan-African Film & TV Festival of Ouagadougou
(FESPACO) is open to all films worldwide. Applicants are allowed to enter three (03)
films at the most. Entry may be made by the director or producer.
Entry of films by African Cinema Schools shall be made by the Management of such
schools.
To be considered in the official selection, the film shall not be aged more than two
(02) years as of 31 December of the year preceding the edition,nor have been
entered into a previous FESPACO edition.
Entering a film requires the sending of the following documents and materials to
FESPACO Headquarters no later than 31 October of the year preceding the
edition:
An Entry Form, available from FESPACO Web Site (www.fespaco.bf), duly
completed, dated and signed;
A technical and artistic sheet;
A note of intent;
A synopsis in French and in English;
A bio-data of the filmmaker;
Two (02) posters of the film;
Two (02) DVD copies for fictional or documentary films;
Two (02) DVD copies of the first three episodes for serials;
Two (02) colour passport size photographs of the director;
Three (03) photographs of the film;
The above materials shall be sent via electronic mail to: dgfespaco@gmail.com
DVD copies shall be sent via express mail to FESPACO Headquarters no later than
31 October of the year preceding the editionto the following address:
FESPACO
Selection film
01 BP 2505 - Ouagadougou 01 - Burkina Faso
Tel: (226) 50 30 83 70 / 71
NB: Information on director or producer’s electronic and postal address must
be printed in capital letters.
II- SUB-TITLING
The film shall be in French or in English to be accepted.
Any film in English must be sub-titled in French, and vice-versa.
Any films in a language other than French or English must be sub-titled or dubbed in
French or in English.
III- SELECTION
The Management of FESPACO shall be responsible for the official selection of films,
and make decision on the section in which the film may be entered:
- Sections of the official competition include: Fictional feature films; Fictional
short films; Documentary films; Diaspora films; TV serials; Fictional
digital video films; and Films from African Cinema Schools.
The official competition is limited to African and Diaspora films.
- Out-of-competition sections include: Discoveries; Retrospective; Focus;
Africa from the perspective of; Panorama; Tribute; and Special screening
sessions. Such sections are open to feature and short, documentary and
fictional films by any filmmaker.
The Management of FESPACO is sovereign and reserves the right to justify or not its
decisions.
Any film short-listed for the official competition cannot be withdrawn in the course of
the Festival.
Director or producer shall be informed via official mail and in a timely manner in the
event a film is selected.
III.1- FORMAT
Regardless of shooting formats, only the following shall be accepted:
For the official selection:
Two (02) DVD copies of the fictional or documentary film;
Two (02) DVD copies of the first three episodes for serials.
For screening prints:
- A 35 mm print for fictional feature filmsin the official selection;
- A 35 mm print or Dvcam/Pal and a DVD/Pal copy for fictional short films in the
official selection;
- A Dvcam/Pal and DVD/Pal copy for the other sections of the official selection.
Screening prints or copies shall be sent to FESPACO no later than31 January of
the edition’s year.
Prints or copies of any films sent to FESPACO after the above deadline will be
withdrawn from the official selection.
III.2- SENDING OF PRINTS
Sending of film prints shall be at sender’s care.
III.3- RETURN OF PRINTS
Return of 35 mm prints, Dvcam/Pal and DVD/Pal copies shall be at the care of
FESPACO and to the address provided by the sender.
FESPACO will not assume responsibility for errors in shipment or damages resulting
from the sending of prints.
Furthermore, FESPACO shall not be liable for damages resulting from the initial poor
condition of such prints.
Any film accepted for the official selection of FESPACO may be subject to three (03)
public screenings at the most.
However, FESPACO reserves the right, as part of the promotion of the films selected,
to publically screen such films twice (02) at the most after the Festival.
III.4- LENGTH OF FILMS
Depending on the categories, the length of competing films shall be:
- Fictional feature films: the minimum length required is 60 mn;
- Fictional short films: the length required shall range from 1 mn at least to 35
mn maximum;
- Documentary films: the minimum length required is 26 mn;
- Diaspora films: the minimum length required is 60 mn;
- Fictional digital video films: the minimum length is 60 mn;
- TV serials: three episodes of 13 to 26 mn each;
- African Cinema School films: the length required shall range between 3 mn at
least to 15 mn maximum.
NB: Entering a film into FESPACO implies the adherence to the selection
conditions and regulations herein.
ENTER REGULATIONS
http://www.fespaco-bf.net/index.php?option=com_rokdownloads&view=file&Itemid=55&id=98%3Acondition-for-film-entry-and-selection&lang=en
Friday, August 3, 2012
Nairobi Half Life - A short Film
An
aspiring actor leaves his hometown, wide eyed and ready to take on his
dream in the big city! His first impression of Nairobi is walking off
the bus and getting robbed before he steps on city soil. With nothing
but his wits, how will he survive long enough to get an audition? What
he does next decides his fate.
This is Tom Tykwer and Ginger Ink's follow up to Soul Boy, which, if it's anything to go by, makes this film the most anticipated film from Kenya this year.
The film is a result of the annual film training workshop is a partnership project between the DW-AKADEMIE, ONE FINE DAY FILMS and GINGER INK. It is supported by the German Federal Ministry for Economic Cooperation and Development , the Filmstiftung Nordrhein-Westfalen, the Goethe-Institut Kenya and ARRI Film- & TV Services.
Featuring Joseph K Wairimu,Best Actor, Durban Film Festival, 2012
http://buni.tv/video/nairobi-half-life-trailer
This is Tom Tykwer and Ginger Ink's follow up to Soul Boy, which, if it's anything to go by, makes this film the most anticipated film from Kenya this year.
The film is a result of the annual film training workshop is a partnership project between the DW-AKADEMIE, ONE FINE DAY FILMS and GINGER INK. It is supported by the German Federal Ministry for Economic Cooperation and Development , the Filmstiftung Nordrhein-Westfalen, the Goethe-Institut Kenya and ARRI Film- & TV Services.
Featuring Joseph K Wairimu,Best Actor, Durban Film Festival, 2012
http://buni.tv/video/nairobi-half-life-trailer
Thursday, July 19, 2012
Conflict brewing between Ghana & Nigeria's film industries via All Africa
Marc Devenish, 10th July, 8:01am BST
The once upon a smooth and cordial relationship
between the Nigerian and Ghanaian movie industries is alleged to be
gradually going sour as a result of unhealthy rivalry. Patience Ivie
Obhafuoso in this piece examines some salient issues in the alleged
feud.
The Nigeria movie industry (Nollywood) has gained much
popularity within and outside Nigeria over the years. Being the second
largest film industry in the world, Nollywood is a household name in
virtually every family across the country.http://www.mediasourceafrica.com/index.php?command=view&category=forum_message&id=240&goback=.gde_2599461_member_132340103
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AiM
Newsletter July/August 2012
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Africa
in Motion in Tanzania at Zanzibar International Film
Festival
This month Isabel and Lizelle are excited to be representing AiM at the Zanzibar International Film Festival (ZIFF) in Tanzania. While at the festival, Lizelle has been participating on the main jury while Isabel has been a participant on the Ousmane Sembene competition jury. ZIFF is East Africa's largest film, music and arts festival and this year the programme has been assembled with films and events that capture the essence of the diversity of humanity and humanity's most precious resource - creativity, complying with their 2012 theme "When Global Images Meet Zanzibar". Like AiM, Ziff offers audiences a discursive look at the context of African film and African film festivals as well as an insight into African arts in general through musical performances and art exhibitions. This year, ZIFF has organised a compelling conference on Zanzibar's potential as an international film location place; a discussion panel on the role of Film Festivals in Marketing and Distribtution led by a team of the Pan African Film Festival (LA, USA); and numerous musical performances. Here are Isabel and Lizelle's photographs for us of us who aren't lucky enough to be there to enjoy!  L-R Top: Audience at ZIFF main venue, open air cinema at Old Fort; Musical performances at ZIFF. L-R Bottom: Director of South African film UHLANGA (The Mark) introducing the film; Conference on the role of Film Festivals in Marketing and Distribution The festival closed last night with a fantastic awards ceremony and closing party. Amongst the winners this year was 'Inside Story' (Rolie Nikiwe: South Africa) for Best African Film, 'Moccasins' (Denis M. Kimahi: Kenya) won Best Short Film and AiM favourte Mika Kaurismaki's touching film 'Mama Africa' won Best Documentary. For more winners from ZIFF 2012 visit the website: ZIFF 
AiM is looking for enthusiastic individuals to
support our mission and to facilitiate Africa in Motion 2012!
Marketing and Sponsorship Assistant (Voluntary with the potential to become paid) 6 August to 30 November 2012
Africa in Motion
is seeking an enthusiastic and motivated Marketing and Sponsorship Assistant to
join our team and help raise the profile of the festival and its programme of
events. The ideal candidate will live in Edinburgh, have a passion for Africa
and for the arts, excellent administrative, organisational and computer skills
and the ability to use their own initiative and think creatively. Some previous
experience in arts marketing and dealing with sponsors is desirable. The
successful candidate must be able to commit to a minimum of 10 hrs per week and
will predominately work from the Africa in Motion festival office in Leith.
Africa in Motion will cover any expenses incurred. After an initial voluntary
period of two months, there is the possibility of the positions being converted
to part-time paid positions for the final two months of the contract.
This position will provide valuable experience for people wishing to pursue a career in arts marketing. If you are studying towards an arts management or marketing degree, this position could provide an excellent internship opportunity. The deadline for applications is 20 July 2012, with interviews due to take place Wednesday, 24th July 2012. For more information on this post, including how to apply and a full job description, please visit our opportunities page on our website: Africa in Motion Opportunities
Deadline
for applications: 20 June 2012
AiM Call for Papers: Africa in Motion 2012 Symposium (Modern Africa): Deadline aproaching! African Popular Culture in the 21st Century: Africa in Motion 2012 Symposium Saturday 27 October, 9am - 5:30pm Seminar rooms 1 & 2, Chrystal Macmillan Building George Square, University of Edinburgh To link with the Africa in Motion 2012 festival theme Modern Africa, we are inviting papers from scholars working in the field of African Popular Culture. Through the academic symposium, we will continue to explore the urban, the new, the provocative, the innovative and experimental. We regard "modern" not as belonging solely to the "West", and through the festival we want to emphasise Africa's important role in the modern world. We are interested in discovering and exploring through this year's festival how modernity manifests in African cultures, and the symposium focus on African popular cultue will further enhance this study. Abstracts are solicitated for individual 20-minute papers on the theme of the symposium. We are looking for submissions from scholars at all levels (postgraduate students are most welcome) and invite contributions rom as wide a scope of reearch areas and disciplines as possible. We invite abstracts of 250-300 words as well as brief biographical details (no more than 100 words) to be sent to the symposium organisers at symposium@africa-in-motion.org.uk byMonday 30 July 2012. Please include contact details, institution affiliation, current appointment/stage of study and main research interests. For more inforation on the symposium, along with suggested topics and questions to be addressed, please visit the symposium page of our website. Africa in Motion events in JulyAiM & A&CN Present: Films for children and youth  Date: Saturday 21 July, 11am Location: African & Caribbean Network, Osborne Street, Glasgow Admission: Free Films: African short films for children (TBC) Africa in Motion (AiM) Film Festival are very pleased to announce that the festival is expanding to Glasgow in 2012. AiM Glasgow will run parallel with the Edinburgh festival between 25 October and 2 November.
In
preparation for the AiM Glasgow 2012 festival edition, we will be running a
number of events with African-focused organisations based in Glasgow. In order
to fill an evident gap in Glasgow cinema-going culture, we are eager to give
Glaswegians the opportunity to see great African films.
This
month's event in collaboration with the African & Caribbean Network will
focus on Children and Youth so bring down the whole family for free African
films! This events begins at 11am at the African and Caribbean Network, Osborne
Street, Glasgow.
Call for Entries International Images Film Festival For Women  Deadline: 31 August 2012
The
International Images Film Festival for Women (IIFF) in Zimbabwe is calling for
entries for the festival taking place from 23 November to 1 December in Harare,
6 December in Bulawayo, 7 December in Gwanda and 13 to 14 December in
Binga.
While any
film entered should have all the attributes of good cinema, including good
production values and entertainment value, it should also show some analysis of
the woman or women featured. Production date is irrelevant, but the film must
have a woman in a lead role. Ideally the film should be witty and humorous,
featuring women who are not afraid to push boundaries in their quests, women who
embrace the principles of extreme leadership.
For more
information, contact
wfoz@icapatrust.org.
Events Cinematographic Framework of Hergla  Date: Saturday 14 July - Wednesday 18 July 2012 Location: Tunisia
A new
session of Hergla Film Meetings will be held this year from 14 to 19 July 2012.
This festival African Mediterranean is celebrating its eighth anniversary. The
Film Meetings will Hergla an opportunity to bring together young people from
both sides of the Mediterranean and north and south of the Sahara around the
cinema and audiovisual arts in general.
For more
information on the 8th session of Film Meeting Hergla and a full programme,
visit the website: www.herglacinema.org.
***Mandela Day: Books Send-off to Eastern Cape  Date: Wednesday 18 July 2012, 15:30 Location: George Square, Glasgow Admission: Free You are invited to join ACTSA at 3.30pm on Wednesday 18 July 2012 in George Square, Glasgow to send-off 50,000 books in a container to Eastern Cape libraries in South Africa. The send-off will be conducted by the South African High Commissioner,Zola Skweyiya andScottish Government Minister for Local Government, Derek Mackay.
Following
the books send-off you are invited to a Reception in the City Chambers. For more
information on this event and to RSVP for the reception, visit ACTSA's
website: www.actsascotland.org.uk or email John
Nelson.
*** South by South Film Screenings  Date: Friday 20 July 2012, 7pm Location: South London Gallery, London Admission: Free This series of film screenings showcases work made by artists living and working in Africa. The South by South programme also includes a two-month residency for artist Emeka Ogboh in the SLG’s Outset Artists’ Flat, taking place from July – September 2012. The programme is curated in partnership with Joseph Adesunloye in association with Africa 2.0 and the Royal African Society.
On 20 July
South by South wll screen Rwandan award-willing feature film, 'Bamako'. Rwandan
filmmaker, Pascale Kasirabo, also presents his short film A Lifeless Life and
takes part in a Q&A about his work. To book tickets, visit the South London
Gallery website: http://www.southlondongallery.org/page/bamako.
*** Festival of Yoruba Arts London  Date: 28 July 2012, 11:00 - 21:00 Location: Clissold Park, Hackney, London Admission: Free The 3rd Annual, open air, festival of Yoruba Arts, London 2012, celebrating, the rich, vibrant and colourful Arts and Culture of the Yoruba's, from the West African, West Indian and Latin American communities in the UK and worldwide in Clissold Park, Hackney, London (Olympic Host borough).
Experience
heart-pounding entertainment, action packed presentations, Arts and Crafts,
Competitions, Cultural performances, and delicious African food everyone has
come to expect from the festival. Live bands from around the world playing the
best of Salsa, Highlife, Calypso, Juju, Afro-beats, Jazz + more.
www.foya.org.uk *** Young Fathers present: Jekalo 2  Date: Saturday 28 July 2012, 20:00 Location: The Cuckoo's Nest, Home Street, Edinburgh Admission: Free Edinburgh-based Afrobeat band Young Fathers host a night of great music and spontaneous performance. G will be playing whatever he wants to play. Kayus will await any one who will challenge him at checkers, and Ally will sing if he gets enough of the juice. **Chicken and Rice for all the early ones** *** Screening: "WWW - What a Wonderful World" (Original with German subtitles)  Date: Thursday 2 August 2012, 21:15 Location: Freiluftkino HasenHeide, Berlin AfricAvenir in collaboration with Planete Metis presents the postmodern and poetic cult movie "WWW - What a Wonderful World" by Moroccan director Faouzi Bensaidi. Permeated by political symbolism, the movie tells the story of a contract killer who falls in love with a police woman. "WWW - What a Wonderful World" is an entirely modern movie, burlesque in its acting, strange in its composition of pictures, funny and bold. AfricAvenir This newsletter was sent to you by Africa in Motion Film Festival Find us on: www.africa-in-motion.org.uk www.africa-in-motion.tv Twitter: http://twitter.com/AiMfilmfest Facebook: Africa in Motion (AiM) Film Festival Contact us at: info@africa-in-motion.org.uk --- Africa in Motion (AiM) Film Festival is a UK limited company (SC290337) with charitable status in Scotland (SC053215) |
To watch trailers, clips, interviews, shorts and
documentaries from the festival check out the AiM TV channel.
Studio 49 Out of the Blue Drill Hall 30-36 Dalmeny Street EH6 8RG +44 (0)7958 040 476 E-mail Us Africa-in-Motion.org.uk | ||
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Friday, July 13, 2012
http://blackpublicmedia.org/for-producers/
NBPC has a legacy of proudly supporting producers and digital media storytellers who represent the global Black experience. It’s a our goal to provide funding and distribution within our affiliated public media networks including representation on our dedicated online/web series channel BlackPublicMedia.org.
Our executive producers review and consider films for distribution on a rolling basis. We give priority to films that are current and relevant depicting black life and experience in a unique and often overlooked context, largely ignored by popular culture and films. We work with producers who’ll deliver exciting, entrancing stories and locales in a professional manner. To inquire about submitting completed works,
please email us an inquiry.
If you have a completed short or feature-length work for consideration please send a DVD, a brief letter of inquiry, and any relevant press materials on your film to:
National Black Programming Consortium
C/o Programs Associate
68 East 131st Street, 7th floor
New York, NY 10037
Funding for Documentary Filmmakers
These are some funding sources for documentary filmmakers.
Click on the titles to get more information on these funding opportunities and deadlines.
This list is not comprehensive. If you have updates, please e-mail them to contactATdocsinprogressDOTorg
No Geographic Limitationshttp://docsinprogress.org/resources/funding-for-documentary-filmmakers/
Monday, July 2, 2012
Tuesday, June 26, 2012
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Saturday, March 31, 2012
Kenya Film Commission’s CEO on an interview with CNBC on Friday, March 16, 2012
http://kenyafilmcommission.com/blog/?p=225
This year the Commission focuses on providing opportunities for investment in film. The Expo which will be held on Saturday, March 31, 2012, will incorporate film producers as well as animators showcasing their work, and also encourage exhibitors to have sample works as well as merchandise of their film and animation products. The Kenya Film Commission recognizes the importance of this area of new media and is working on establishing the Animation Expo as a leading forum where artistes are able to showcase their work, network within the media industry and with financiers and also receive information to build their business skills. A number of educational institutions have begun to include animation as part of the courses that they offer, indicating the interest of the youth in this exciting area of the media.
The key target for the expo includes investors, distributors, corporate companies, content acquisition managers (from broadcasting houses) students, creative industry professionals and those interested in local content.
This year the Commission focuses on providing opportunities for investment in film. The Expo which will be held on Saturday, March 31, 2012, will incorporate film producers as well as animators showcasing their work, and also encourage exhibitors to have sample works as well as merchandise of their film and animation products. The Kenya Film Commission recognizes the importance of this area of new media and is working on establishing the Animation Expo as a leading forum where artistes are able to showcase their work, network within the media industry and with financiers and also receive information to build their business skills. A number of educational institutions have begun to include animation as part of the courses that they offer, indicating the interest of the youth in this exciting area of the media.
The key target for the expo includes investors, distributors, corporate companies, content acquisition managers (from broadcasting houses) students, creative industry professionals and those interested in local content.
Tuesday, March 20, 2012
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