Thursday, August 1, 2013

'Fuelling Poverty' Documentary Censored By Nigerian Officials

http://www.huffingtonpost.com/2013/04/21/fuelling-poverty-documentary-nigeria_n_3126915.html?utm_hp_ref=fb&src=sp&comm_ref=false#sb=1730423b=facebook

Fuelling Poverty
Wole Soyinka is featured in the film.

LAGOS, Nigeria — The documentary on a massive strike that paralyzed life in Nigeria features newspaper headlines, television news footage and other information widely known about a government gasoline subsidy that saw billions of dollars stolen by greedy companies and the nation's elite.
It also, according to Nigerian authorities, could spark violence and potentially threaten national security.
The 30-minute film called "Fuelling Poverty" has been online for months, but only recently Nigerian officials have refused its director permission to show it publicly in this oil-rich nation of more than 160 million people. While free speech is enshrined in this democratic nation's constitution, an ever-increasing drumbeat of complaints and critical articles about the administration of President Goodluck Jonathan has seen authorities increasingly target journalists and others.
The film, sponsored by Soros Foundation's Open Society Justice Initiative for West Africa, focuses on the protests around Jonathan's decision to remove subsidies on gasoline in January 2012. Life in Nigeria ground to a halt before unions backed down. Later, a report by lawmakers demanded businesses and government agencies to return some $6.7 billion over the subsidy program.
Ishaya Bako, who directed the film that features civil rights activists and Nobel Prize laureate Wole Soyinka, later applied for the right to show the film publicly. In a letter dated April 8, Nigeria's National Film and Video Censors Board told Bako that the documentary was "prohibited for exhibition in Nigeria."
"I am further to inform you that this decision is due to the fact that the contents of the film are highly provocative and likely to incite or encourage public disorder and undermine national security," the letter signed by board lawyer Effiong Inwang reads. "Please you are strongly advised not to distribute or exhibit the documentary film. All relevant national security agencies are on the alert."
Tanko Abdullahi, a spokesman for the board, initially told The Associated Press on Wednesday that the film wasn't banned, but was "denied classification." Later, in the same conversation, he acknowledged it couldn't be shown over unspecified "security issues."
"What is national security for Nigeria is different from that of the U.S.A.," Abdullahi said. "We made that determination because of the content of the film. That's why you have regulators."
The government's decision has seen more people watch the film online. It also has sparked outrage from human rights activists and press freedom groups.
"Instead of banning the documentary `Fuelling Poverty,' authorities should look into the important questions it raises about corruption and impunity in the country's oil sector and at the highest levels of government," Mohamed Keita, an official with the Committee to Protect Journalists, said in a statement. "We urge Nigeria's National Film and Video Censors Board to overturn this censorship order."
The move to ban the film comes as Jonathan's government, which many voted for believing he would change the engrained interests and corruption of Nigeria's government, has grown increasingly unpopular as extremists carry out bombings and the state-run power company cannot offer stable electricity. During the strikes, government officials put increasing pressure on broadcasters not to show images of protests, which at one point saw tens of thousands in the streets of Lagos.
Today, journalists at a newspaper face forgery charges over a story that claimed the presidency would try to disrupt opposition parties. Security agencies have harassed reporters at a weekly newspaper that wrote about abuses by the military in its crackdown against Islamic extremists. And workers who ran a call-in radio show in the northern city of Kano face charges over talking about rumors surrounding polio vaccinations in the wake of at least nine women vaccinators being killed.
Despite the outcry, however, the apparent crackdown continues, only fueling more of the same apathy for Nigeria's government seen by those featured in the documentary.
"We don't have government. It's a whole big banana republic," barber Emmanuel Tom Ekin says in the film. "They've been coming telling us story all the time, deceiving us. And right now, in our faces, they are still deceiving us."

Tuesday, July 23, 2013

Local Film Banned from DIFF Over 'Child Porn' Allegations

 https://soundcloud.com/primediabroadcasting/of-good-report-banned-for

John Webb spoke to the director "Of Good Report" Jahmil Qubeka and the Producer: Micheal Aurent, who accused the Film and Publications Board that its run by the Departments of Home Affairs, which failing to deliver ID's and Price Ndamase Head of Communications at Film and Publications Board said, "He will not respond the political comments made by Jahmil Qubeka". but he explain the reason for banning the movie.
of A South African movie about a schoolteacher who falls for a student has become the first film to be banned since 1994. The film "Of Good Report" was the first not to receive classification since the Film and Publication Board was created. According to the newspaper, the decision was made based on the depiction of a simulated sexual act involving the 16-year-old student, who was played by a 23-year-old actress. "The child porn thing smacks of the greatest ignorance, incompetence and downright stupidity," director Jahmil XT Qubeka was quoted as telling the newspaper.
Board spokesman Prince Mlimandlela Ndamase reportedly told the Sunday Times the film was banned because it contained "content that carries an illegal act in it". "We need to emphasise that, ordinarily, we would not refuse the right of viewers to see the content, but in the interests of the protection of the child and our laws that exist in the country, child pornography is one of these things that are not legally permissible in the country."
This third film from South African director Jahmil XT Qubeka tells the sombre tale of a small-town high-school teacher with a penchant for young girls. The result is an hypnotically engaging journey into the soul of a mentally troubled man. The trouble for Parker Sithole begins when he meets the undeniably gorgeous Nolitha Ngubane at a local tavern. Captivated by her beauty, an illicit affair ensues. However, there’s just one problem: Nolitha is one of Parker’s pupils and is just sixteen years old. Parker quickly spirals into a deep obsession that ultimately becomes violent and unquenchable.

Friday, June 28, 2013

Zanzibar International Film Festival (ZIFF) 2013 opens

Posted on Jun 23, 2013
WELCOME TO ZIFF 2013

WELCOME TO ZIFF 2013

http://www.ziff.or.tz/the-festival/theme-2013/

THE FESTIVAL OF THE DHOW COUNTRIES
Dear Guest,
Karibu! (Welcome)

On behalf of the Zanzibar International Film Festival (ZIFF), I would like to extend a warm welcome to Zanzibar and to our festival. There is excitement in the air, and we all at ZIFF can’t wait to show you around our beautiful islands. We believe that our culture and history and the creativity of the arts will enhance everyone’s spirits to live through this complex contemporary world, and also serve to remind us of the place of film as a culture of a rich humanity. As you step into Zanzibar you will meet a welcoming people but there will also be a few grumpy ones (who woke up on the wrong side of the bed that morning) and we hope you will excuse them and look up with optimism to meeting the next smiling, welcoming Zanzibari. We hasten to apologies on their behalf. Please avail yourself the Festival Program as soon as you can (at the cost of Tsh1000 ($0 .75) and a catalogue for Tsh 5000 ($3) and you will find most information about the festival. Please also get accredited at our accreditation Stall inside the Old Fort. Please do stop me on the street to say hello as my office is only for official stuff!
The film venues are The Zanzibar Grand Palace and Marumaru hotels, and the Wavuvi Restaurant, which shows only Swahili films. The Plenary film-viewing venue is the Old Fort Amphitheatre, where from 7pm sharp every evening we show two feature films before we proceed to Mambo Club (the second venue inside the Old Fort) for 3 hours of music and dancing. There are workshops taking place in the Old Dispensary and the Old Customs House (every film venue is old!) but most of the workshops are already overprescribed so please do not be distressed if your are turned away. The best feature of the festival is that everything happens within walking distance and every person will give you directions to the venues; a map of Stonetown is also available in the pack to help you negotiate the streets of Stonetwon, a UNESCO World Heritage Site hosting our festival.
The food in the Forodhani Park, where the general populations gathers to eat and relax is fresh, cheap and very tasty. It will make your stomach feel right at home! At night if returning to your hotel late please walk with someone or ask for an escort from the ZIFF office especially if you are waking through the tiny streets or dark corners. It’s easy to get lost!  I hope that our festival will serve as a venue for international cross-cultural exchange as well as a platform for raising film business potentials and for networking, which the ZUKU Lounge, in the Marumaru Hotel, offers every evening from 5 to 7pm.
Remember to respect the local culture as you are here also to experience that.
Karibu!
Martin Mhando
Festival Director

Sunday, June 23, 2013

Broadcast Film and Music Africa Conference due next week in Nairobi

Broadcast Film and Music Africa Conference due next week in Nairobi
The African Broadcast Film and Music conference will take place next week at the Kenyatta International Conference Centre (KICC), Nairobi, bringing together more than 200 delegates from the industries.

The conference, organised by AITEC Africa, will empower participants with knowledge and help in creating contacts.

Invited guests include Russell Southwood, chief executive officer (CEO) at Balancing Act UK, Risper Muthamia, regional manager of M-Net Kenya, Peter Mutie, CEO of the Kenya Film of Commission and Maurice Okoth, CEO of the Music Copyright Society of Kenya.

Among special features at the conference will include an exhibition of leading local and international suppliers of equipment and service providers to the film, broadcast and music industries, a showcase of 28 film startups, and a Training and Education Pavilion for universities and other institutions providing courses for the sector.

The conference will also showcase the 34 creative content startups to showcase their products and business ideas to 20 investment funds and angel investors and their production ideas to commissioning editors.

Thursday, October 25, 2012

Ethnographic documentary on Matatu (public transport system in Kenya) for sale to libraries


List Editor: Elena Vezzadini  
Editor's Subject: FILM: Ethnographic documentary on Matatu (public transport system in Kenya) for sale to libraries
Author's Subject: Ethnographic documentary on Matatu (public transport system in Kenya) for sale to libraries
------------------

Filmmaker George Ngugi King¹ara¹s documentary Gari Letu Manyanga 
(Our Hip Bus, 2007) is now ready for sale to university archives 
or other libraries wishing to stock content relating to urban African 
culture. The film can be used in African Cultural Studies per se or 
other related disciplines.

Short synopsis of film

A film about the MATATU- informal public transport system in Kenya. 
We follow the crew of a hip-hoppy mini-bus called DRAMA as it works 
one of the busiest commuter routes in Nairobi and gets arrested by 
the Buru Buru police over an overdue warrant-of-arrest. The bus is 
detained and the crew sidelined in wait till its elusive owner is 
found.

Shot with no budget by a crew of three, the film is a sort of 
ethnographic exploration of the nature of the Kenyan informal public 
transport system, but also a commentary on the youth culture associated 
with it.

Contact filmmaker through:
ngugik2001@yahoo.com

Tuesday, September 18, 2012

FESPACO - PAN AFRICAN FILM FESTIVAL 2013

http://www.fespaco-bf.net/index.php?option=com_rokdownloads&view=file&Itemid=55&id=98%3Acondition-for-film-entry-and-selection&lang=en


 PREAMBLE
- Considering the contribution of FESPACO to the development of African
Cinema as a platform for promoting African culture;
- Considering the need to promote and disseminate African cinematographic
works worldwide;
- Considering the need to contribute to the safeguard of Africa cinematographic
heritage;
The Management of the Pan-African Film &TV Festival of Ouagadougou
(FESPACO),
- Bearing in mind the above stated objectives;
- Concerned with safeguarding the Festival’s identity and editorial line;
- Convinced of the need to adapt the festival’s regulations to technological
developments in the film and audio-visual industry;
Reviewed the festival’s regulations on:
- The Entry and Selection of Films;
- The Official Juries;
- The African International Film and TV Market;
- The Special Prizes;
CONDITIONS FOR FILM ENTRY AND SELECTION
I- ENTRY OF FILMS
The entry of films for the Pan-African Film & TV Festival of Ouagadougou
(FESPACO) is open to all films worldwide. Applicants are allowed to enter three (03)
films at the most. Entry may be made by the director or producer.
Entry of films by African Cinema Schools shall be made by the Management of such
schools.
To be considered in the official selection, the film shall not be aged more than two
(02) years as of 31 December of the year preceding the edition,nor have been
entered into a previous FESPACO edition.
Entering a film requires the sending of the following documents and materials to
FESPACO Headquarters no later than 31 October of the year preceding the
edition:
An Entry Form, available from FESPACO Web Site (www.fespaco.bf), duly
completed, dated and signed;
A technical and artistic sheet;
A note of intent;
A synopsis in French and in English;
A bio-data of the filmmaker;
Two (02) posters of the film;
Two (02) DVD copies for fictional or documentary films;
Two (02) DVD copies of the first three episodes for serials;
Two (02) colour passport size photographs of the director;
Three (03) photographs of the film;
The above materials shall be sent via electronic mail to: dgfespaco@gmail.com
DVD copies shall be sent via express mail to FESPACO Headquarters no later than
31 October of the year preceding the editionto the following address:
FESPACO
Selection film
01 BP 2505 - Ouagadougou 01 - Burkina Faso
Tel: (226) 50 30 83 70 / 71
NB: Information on director or producer’s electronic and postal address must
be printed in capital letters.
II- SUB-TITLING
The film shall be in French or in English to be accepted.
Any film in English must be sub-titled in French, and vice-versa.
Any films in a language other than French or English must be sub-titled or dubbed in
French or in English.
III- SELECTION
The Management of FESPACO shall be responsible for the official selection of films,
and make decision on the section in which the film may be entered:
- Sections of the official competition include: Fictional feature films; Fictional
short films; Documentary films; Diaspora films; TV serials; Fictional
digital video films; and Films from African Cinema Schools.
The official competition is limited to African and Diaspora films.
- Out-of-competition sections include: Discoveries; Retrospective; Focus;
Africa from the perspective of; Panorama; Tribute; and Special screening
sessions. Such sections are open to feature and short, documentary and
fictional films by any filmmaker.
The Management of FESPACO is sovereign and reserves the right to justify or not its
decisions.
Any film short-listed for the official competition cannot be withdrawn in the course of
the Festival.
Director or producer shall be informed via official mail and in a timely manner in the
event a film is selected.
III.1- FORMAT
Regardless of shooting formats, only the following shall be accepted:
For the official selection:
Two (02) DVD copies of the fictional or documentary film;
Two (02) DVD copies of the first three episodes for serials.
For screening prints:
- A 35 mm print for fictional feature filmsin the official selection;
- A 35 mm print or Dvcam/Pal and a DVD/Pal copy for fictional short films in the
official selection;
- A Dvcam/Pal and DVD/Pal copy for the other sections of the official selection.
Screening prints or copies shall be sent to FESPACO no later than31 January of
the edition’s year.
Prints or copies of any films sent to FESPACO after the above deadline will be
withdrawn from the official selection.
III.2- SENDING OF PRINTS
Sending of film prints shall be at sender’s care.
III.3- RETURN OF PRINTS
Return of 35 mm prints, Dvcam/Pal and DVD/Pal copies shall be at the care of
FESPACO and to the address provided by the sender.
FESPACO will not assume responsibility for errors in shipment or damages resulting
from the sending of prints.
Furthermore, FESPACO shall not be liable for damages resulting from the initial poor
condition of such prints.
Any film accepted for the official selection of FESPACO may be subject to three (03)
public screenings at the most.
However, FESPACO reserves the right, as part of the promotion of the films selected,
to publically screen such films twice (02) at the most after the Festival.
III.4- LENGTH OF FILMS
Depending on the categories, the length of competing films shall be:
- Fictional feature films: the minimum length required is 60 mn;
- Fictional short films: the length required shall range from 1 mn at least to 35
mn maximum;
- Documentary films: the minimum length required is 26 mn;
- Diaspora films: the minimum length required is 60 mn;
- Fictional digital video films: the minimum length is 60 mn;
- TV serials: three episodes of 13 to 26 mn each;
- African Cinema School films: the length required shall range between 3 mn at
least to 15 mn maximum.
NB: Entering a film into FESPACO implies the adherence to the selection
conditions and regulations herein.
ENTER REGULATIONS
http://www.fespaco-bf.net/index.php?option=com_rokdownloads&view=file&Itemid=55&id=98%3Acondition-for-film-entry-and-selection&lang=en

Friday, August 3, 2012

Nairobi Half Life - A short Film

 An aspiring actor leaves his hometown, wide eyed and ready to take on his dream in the big city! His first impression of Nairobi is walking off the bus and getting robbed before he steps on city soil. With nothing but his wits, how will he survive long enough to get an audition? What he does next decides his fate.
This is Tom Tykwer and Ginger Ink's follow up to Soul Boy, which, if it's anything to go by, makes this film the most anticipated film from Kenya this year.
The film is a result of the annual film training workshop is a partnership project between the DW-AKADEMIE, ONE FINE DAY FILMS and GINGER INK. It is supported by the German Federal Ministry for Economic Cooperation and Development , the Filmstiftung Nordrhein-Westfalen, the Goethe-Institut Kenya and ARRI Film- & TV Services.

Featuring  Joseph K Wairimu,Best Actor, Durban Film Festival, 2012

 http://buni.tv/video/nairobi-half-life-trailer

Thursday, July 19, 2012

Conflict brewing between Ghana & Nigeria's film industries via All Africa



Marc Devenish, 10th July, 8:01am BST
The once upon a smooth and cordial relationship between the Nigerian and Ghanaian movie industries is alleged to be gradually going sour as a result of unhealthy rivalry. Patience Ivie Obhafuoso in this piece examines some salient issues in the alleged feud.
The Nigeria movie industry (Nollywood) has gained much popularity within and outside Nigeria over the years. Being the second largest film industry in the world, Nollywood is a household name in virtually every family across the country.

http://www.mediasourceafrica.com/index.php?command=view&category=forum_message&id=240&goback=.gde_2599461_member_132340103
Africa in Motion
Africa in Motion in Tanzania at Zanzibar International Film Festival

This month Isabel and Lizelle are excited to be representing AiM at the Zanzibar International Film Festival (ZIFF) in Tanzania. While at the festival, Lizelle has been participating on the main jury while Isabel has been a participant on the Ousmane Sembene competition jury. ZIFF is East Africa's largest film, music and arts festival and this year the programme has been assembled with films and events that capture the essence of the diversity of humanity and humanity's most precious resource - creativity, complying with their 2012 theme "When Global Images Meet Zanzibar".

Like AiM, Ziff offers audiences a discursive look at the context of African film and African film festivals as well as an insight into African arts in general through musical performances and art exhibitions. This year, ZIFF has organised a compelling conference on Zanzibar's potential as an international film location place; a discussion panel on the role of Film Festivals in Marketing and Distribtution led by a team of the Pan African Film Festival (LA, USA); and numerous musical performances. Here are Isabel and Lizelle's photographs for us of us who aren't lucky enough to be there to enjoy!


L-R Top: Audience at ZIFF main venue, open air cinema at Old Fort; Musical performances at ZIFF. L-R Bottom: Director of South African film UHLANGA (The Mark) introducing the film; Conference on the role of Film Festivals in Marketing and Distribution

The festival closed last night with a fantastic awards ceremony and closing party. Amongst the winners this year was 'Inside Story' (Rolie Nikiwe: South Africa) for Best African Film, 'Moccasins' (Denis M. Kimahi: Kenya) won Best Short Film and AiM favourte Mika Kaurismaki's touching film 'Mama Africa' won Best Documentary. For more winners from ZIFF 2012 visit the website: ZIFF


 
Africa in Motion Film Festival Opportunities

 

 
AiM is looking for enthusiastic individuals to support our mission and to facilitiate Africa in Motion 2012!


Marketing and Sponsorship Assistant
(Voluntary with the potential to become paid)

6 August to 30 November 2012
 
Africa in Motion is seeking an enthusiastic and motivated Marketing and Sponsorship Assistant to join our team and help raise the profile of the festival and its programme of events. The ideal candidate will live in Edinburgh, have a passion for Africa and for the arts, excellent administrative, organisational and computer skills and the ability to use their own initiative and think creatively. Some previous experience in arts marketing and dealing with sponsors is desirable. The successful candidate must be able to commit to a minimum of 10 hrs per week and will predominately work from the Africa in Motion festival office in Leith. Africa in Motion will cover any expenses incurred. After an initial voluntary period of two months, there is the possibility of the positions being converted to part-time paid positions for the final two months of the contract.

This position will provide valuable experience for people wishing to pursue a career in arts marketing. If you are studying towards an arts management or marketing degree, this position could provide an excellent internship opportunity. The deadline for applications is 20 July 2012, with interviews due to take place Wednesday, 24th July 2012. For more information on this post, including how to apply and a full job description, please visit our opportunities page on our website: Africa in Motion Opportunities
Deadline for applications: 20 June 2012
 


AiM Call for Papers: Africa in Motion 2012 Symposium (Modern Africa): Deadline aproaching!
 

African Popular Culture in the 21st Century:
Africa in Motion 2012 Symposium
Saturday 27 October, 9am - 5:30pm

Seminar rooms 1 & 2, Chrystal Macmillan Building
George Square,
 University of Edinburgh

To link with the Africa in Motion 2012 festival theme Modern Africa, we are inviting papers from scholars working in the field of African Popular Culture. Through the academic symposium, we will continue to explore the urban, the new, the provocative, the innovative and experimental. We regard "modern" not as belonging solely to the "West", and through the festival we want to emphasise Africa's important role in the modern world. We are interested in discovering and exploring through this year's festival how modernity manifests in African cultures, and the symposium focus on African popular cultue will further enhance this study. 

Abstracts are solicitated for individual 20-minute papers on the theme of the symposium. We are looking for submissions from scholars at all levels (postgraduate students are most welcome) and invite contributions rom as wide a scope of reearch areas and disciplines as possible. We invite abstracts of 250-300 words as well as brief biographical details (no more than 100 words) to be sent to the symposium organisers at symposium@africa-in-motion.org.uk byMonday 30 July 2012. Please include contact details, institution affiliation, current appointment/stage of study and main research interests. 

For more inforation on the symposium, along with suggested topics and questions to be addressed, please visit the symposium page of our website
 

Africa in Motion events in July


AiM & A&CN Present: Films for children and youth




Date: Saturday 21 July, 11am
Location: African & Caribbean Network, Osborne Street, Glasgow
Admission: Free
Films: African short films for children (TBC)

Africa in Motion (AiM) Film Festival are very pleased to announce that the festival is expanding to Glasgow in 2012. AiM Glasgow will run parallel with the Edinburgh festival between 25 October and 2 November. 
In preparation for the AiM Glasgow 2012 festival edition, we will be running a number of events with African-focused organisations based in Glasgow. In order to fill an evident gap in Glasgow cinema-going culture, we are eager to give Glaswegians the opportunity to see great African films. 
This month's event in collaboration with the African & Caribbean Network will focus on Children and Youth so bring down the whole family for free African films! This events begins at 11am at the African and Caribbean Network, Osborne Street, Glasgow. 
 


Call for Entries


International Images Film Festival For Women



Deadline: 31 August 2012
The International Images Film Festival for Women (IIFF) in Zimbabwe is calling for entries for the festival taking place from 23 November to 1 December in Harare, 6 December in Bulawayo, 7 December in Gwanda and 13 to 14 December in Binga. 
While any film entered should have all the attributes of good cinema, including good production values and entertainment value, it should also show some analysis of the woman or women featured. Production date is irrelevant, but the film must have a woman in a lead role. Ideally the film should be witty and humorous, featuring women who are not afraid to push boundaries in their quests, women who embrace the principles of extreme leadership.
For more information, contact wfoz@icapatrust.org.


Events


Cinematographic Framework of Hergla



Date: Saturday 14 July - Wednesday 18 July 2012
Location: Tunisia

A new session of Hergla Film Meetings will be held this year from 14 to 19 July 2012. This festival African Mediterranean is celebrating its eighth anniversary. The Film Meetings will Hergla an opportunity to bring together young people from both sides of the Mediterranean and north and south of the Sahara around the cinema and audiovisual arts in general.
For more information on the 8th session of Film Meeting Hergla and a full programme, visit the website: www.herglacinema.org.
 
***

Mandela Day: Books Send-off to Eastern Cape



Date: Wednesday 18 July 2012, 15:30
Location: George Square, Glasgow
Admission: Free


You are invited to join ACTSA at 3.30pm on Wednesday 18 July 2012 in George Square, Glasgow to send-off 50,000 books in a container to Eastern Cape libraries in South Africa. The send-off will be conducted by the South African High Commissioner,Zola Skweyiya andScottish Government Minister for Local Government, Derek Mackay.
Following the books send-off you are invited to a Reception in the City Chambers. For more information on this event and to RSVP for the reception, visit ACTSA's website: www.actsascotland.org.uk or email John Nelson.

***

South by South Film Screenings



Date: Friday 20 July 2012, 7pm
Location: South London Gallery, London
Admission: Free


This series of film screenings showcases work made by artists living and working in Africa. The South by South programme also includes a two-month residency for artist Emeka Ogboh in the SLG’s Outset Artists’ Flat, taking place from July – September 2012. The programme is curated in partnership with Joseph Adesunloye in association with Africa 2.0 and the Royal African Society.
On 20 July South by South wll screen Rwandan award-willing feature film, 'Bamako'. Rwandan filmmaker, Pascale Kasirabo, also presents his short film A Lifeless Life and takes part in a Q&A about his work. To book tickets, visit the South London Gallery website: http://www.southlondongallery.org/page/bamako.

***

Festival of Yoruba Arts London



Date:  28 July 2012, 11:00 - 21:00
Location: Clissold Park, Hackney, London
Admission: Free


The 3rd Annual, open air, festival of Yoruba Arts, London 2012, celebrating, the rich, vibrant and colourful Arts and Culture of the Yoruba's, from the West African, West Indian and Latin American communities in the UK and worldwide in Clissold Park, Hackney, London (Olympic Host borough).
Experience heart-pounding entertainment, action packed presentations, Arts and Crafts, Competitions, Cultural performances, and delicious African food everyone has come to expect from the festival. Live bands from around the world playing the best of Salsa, Highlife, Calypso, Juju, Afro-beats, Jazz + more.

www.foya.org.uk

***

Young Fathers present: Jekalo 2



Date: Saturday 28 July 2012, 20:00
Location: The Cuckoo's Nest, Home Street, Edinburgh
Admission: Free


Edinburgh-based Afrobeat band Young Fathers host a night of great music and spontaneous performance. G will be playing whatever he wants to play. Kayus will await any one who will challenge him at checkers, and Ally will sing if he gets enough of the juice.
**Chicken and Rice for all the early ones**
***

Screening: "WWW - What a Wonderful World" (Original with German subtitles)



Date: Thursday 2 August 2012, 21:15
Location: Freiluftkino HasenHeide, Berlin


AfricAvenir in collaboration with Planete Metis presents the postmodern and poetic cult movie "WWW - What a Wonderful World" by Moroccan director Faouzi Bensaidi. Permeated by political symbolism, the movie tells the story of a contract killer who falls in love with a police woman. "WWW - What a Wonderful World" is an entirely modern movie, burlesque in its acting, strange in its composition of pictures, funny and bold.

AfricAvenir




 This newsletter was sent to you by Africa in Motion Film Festival

Find us on:
www.africa-in-motion.org.uk
www.africa-in-motion.tv
Twitter: http://twitter.com/AiMfilmfest
Facebook: Africa in Motion (AiM) Film Festival
Contact us at:
info@africa-in-motion.org.uk


---

Africa in Motion (AiM) Film Festival is a UK limited company (SC290337) with charitable status in Scotland (SC053215)
AiM TV Channel
To watch trailers, clips, interviews, shorts and documentaries from the festival check out the AiM TV channel.

Contact Us
Studio 49
Out of the Blue Drill Hall
30-36 Dalmeny Street
EH6 8RG
+44 (0)7958 040 476
E-mail Us
Twitter
Facebook
Africa-in-Motion.org.uk
view email in browser | This e-mail was sent to ngugik2001@yahoo.com | Unsubscribe
Copyright (C) 2011 Africa in Motion All rights reserved.

Friday, July 13, 2012



http://blackpublicmedia.org/for-producers/

NBPC has a legacy of proudly supporting producers and digital media storytellers who represent the global Black experience. It’s a our goal to provide funding and distribution within our affiliated public media networks including representation on our dedicated online/web series channel BlackPublicMedia.org.
Our executive producers review and consider films for distribution on a rolling basis. We give priority to films that are current and relevant depicting black life and experience in a unique and often overlooked context, largely ignored by popular culture and films. We work with producers who’ll deliver exciting, entrancing stories and locales in a professional manner. To inquire about submitting completed works,
please email us an inquiry.
If you have a completed short or feature-length work for consideration please send a DVD, a brief letter of inquiry, and any relevant press materials on your film to:
National Black Programming Consortium
C/o Programs Associate
68 East 131st Street, 7th floor
New York, NY 10037

Funding for Documentary Filmmakers

These are some funding sources for documentary filmmakers.

Click on the titles to get more information on these funding opportunities and deadlines.

This list is not comprehensive.  If you have updates, please e-mail them to contactATdocsinprogressDOTorg
No Geographic Limitations

http://docsinprogress.org/resources/funding-for-documentary-filmmakers/

Bite off the Music! A fresh look into the musical journey of a tenacious Kenyan

Many aspiring singers all over the world believe they are the best, and that the road to the top though hard will always be rewarding. But t...